The Soulful Countdown to G.O’s Discharge ~ Day 75

For an actor, I would suspect that a one-dimensional character would perhaps be easier to interpret but ultimately lack challenge. The tender rebel Kang Hyun Woo in the jukebox musical 광화문 연가 [Gwanghwamun Sonata] was a demanding role for a first time musical theater actor. Nuanced and layered, it gave G.O the wonderful opportunity to explore his range as actor playing a character opposite to his own personality and demeanor.

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The Soulful Countdown to G.O’s Discharge ~ Day 73

A sweet seventy-three days into G.O’s military service and I am finally revisiting some of his amazing OST work! In this series I have only written about one so far, his Numbness from the Madame Antoine OST and that was 70 posts ago!!! Admittedly, I am still trying to get my footing here with these daily posts and I am trying to be judicious in offering a little something from all he has done. Likewise, I am trying to make it interesting, but sometimes my heart takes over and things get wishy-washy. Fair warning, this will be one of those posts because his song from the Doctor Stranger OST, 내일이 안 올 것처럼 [Like Tomorrow Won’t Come] is my favorite of his OST songs, and probably one of the most touching, emotional and beautiful love ballads he has ever sung…as well as also had a hand in composing.

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The Soulful Countdown to G.O’s Discharge ~ Day 72

One cannot deny that G.O and Jung Juri had a special chemistry working opposite each other. I think one of the reasons they worked well together was that they both had great comedic timing, were not afraid to push the envelope a little, and simply liked each other. G.O has a natural comfort around women (perhaps because he was raised with two older sisters) and Juri knew that G.O possessed a very special intelligence that gave him a quick and playful wit.

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The Soulful Countdown to G.O’s Discharge ~ Day 70

70 days!!! Seriously, the days are flying by!! After grabbing his first win on the Immortal Song 2 stage, I would suspect that G.O began to really settle into the competition. Even as humble as he is and (at times) self-doubting, I think his competitive juices were really beginning to fire up. Maintaining his ability to innovate, G.O duly wowed both audience and legend Kim Wan Sun with his jazzy rendition of her 오늘밤 [Tonight].

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The Soulful Countdown to G.O’s Discharge ~ Day 69

By 2011 and well into their second full year as a group, MBLAQ was indelibly embraced (and rightfully so) by Japan; their JA+ fandom strong and growing. They were gaining so much popularity and love in Japan that Odina Magazine featured them not once, not twice, but three times in 2011. One year, three cover stories. Too much……wait, no, there can never ever be too much G.O!!

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The Soulful Countdown to G.O’s Discharge ~ Day 68

Standing here in disarray
A calm serenity
The winds of change can devastate
And it took this much for me

I feel that the songs that G.O chooses to sing (that are not among his own compositions) are not arbitrarily chosen. I may not have logged ample study time of this incredible artist of a man in comparison to many in the fandom, but from what I have experienced thus far, I am pretty confident in stating there is reason, depth and substance in G.O’s choices to sing the songs he chooses to sing. And most definitely a resonance with the reason. Eric Benét’s Hurricane is one of those songs.

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