During promotions for his second studio album, Move, Taemin said that he chose the title track of the same name because he felt it represented his true identity. Eschewing gender stereotypes often delineated in K-pop dances where the men dance with great physical and aggressive power, and the women more soft and whimsical, Taemin stated in an October 2017 Billboard article:
My aim was to find a middle ground, mixing both masculine and feminine movements into the choreography together. My body shape is like that of a dancer’s, it’s not too masculine or overly muscular and I wanted to take advantage of that. I thought I could show the soft lines like the dance movements of a ballet dancer by adding subtlety to my choreography. I wanted to break the idea of what male performers are supposed to show, what performances girl groups are supposed to show. I really wanted to break those labels, showing that dance is a form of art.
Indeed, Taemin was already on that path three months prior with the release of his second Japanese EP, Flame of Love, wherein he regaled fans with an ethereal dance version of the EP’s title track of the same name.
Continue reading “On My Screen ~ Flame of Love Dance Ver. [Taemin]”
I generally follow the rules when it comes to comebacks. That is, I jump all over the title tracks and want to shout their brilliance into the stratosphere. With SuperM’s latest release Super One which is their first full studio album since the group’s inception last year, I feel more compelled to talk about a B-side which happens to be my personal favorite on the album, Wish You Were Here.
The Fangirl Lane 