The Soulful Countdown to G.O’s Discharge ~ Day 410

I knew at some point in this countdown series that I would get a chance to completely love on one of my favorite performances of MBLAQ’s Smoky Girl . . . ever. The 26 June 2013 MBC Music Picnic Live performance was probably about as sultry and steamy as that summer day (it reach 86°F/30°C…I checked) itself. Once again a group effort back by a live band, there were still some delicious G.O standout moments nevertheless which give me rise to place the Picnic Live performance of Smoky Girl securely in the Vocal Virtuosity category. It is Day 410 and perhaps a bit sinful to get this steamy for Sunday, but I cannot help myself. And really, the steam comes early and cools off into an energetic and fun upbeat version of this killer song.~.^

Continue reading “The Soulful Countdown to G.O’s Discharge ~ Day 410”

The Soulful Countdown to G.O’s Discharge ~ Day 304

What is his process? Does the melody come and then the lyrics? Are there sometimes only lyrics and no melody? Or only a melody which he gently sets aside to contemplate or place before collaborators for words? Perhaps it is a maelstrom of words and melody that collide simultaneously within his heart and soul wherein all of the parts piece together like an intrique puzzle and a song is born. Whatever his process, G.O has proven himself to be an adept lyricist and composer. Our first glimpse of his writing prowess came with Tykeys 한번만 [Only Once], but with MBLAQ, we had our first taste with 돌아올 수 없는 [Can’t Come Back], his powerful dance track composition which provided the backdrop to Mir’s lyrics. Traveling back today to Blaq Style ~ 3D Edition, to honor Composer G.O.

Continue reading “The Soulful Countdown to G.O’s Discharge ~ Day 304”